#SUPER JUNIOR OPERA MUSIC VIDEO DOWNLOAD SERIES#

Because of You by Kelly Clarkson (this is the song that was being practiced by Baek Hee).Last Concert by Lee Seung Chul ( Jason & Samdong’s ver.Bad Girl, Good Girl by miss A ( Baek Hee’s dance here).

Fly On The Wall by Miley Cyrus (song Baek Hee & Ah Jeong danced to).

Only Hope by Mandy Moore ( Hyemi’s ver.

You Inside My Dim Memory by Hyun Jin Young (sang by Sam Dong during the village contest).

One in a Million by Ne-Yo ( Jason’s dance here).

All I Know is Love by Sim Soo Bong (piano piece played by BYJ).

Summertime by George Gershwin (piano piece played by BYJ).

Goose Dream By Insooni ( Hyemi & Baek Hee ver.

And I Am Telling You by Jennifer Holliday (JOO’s piece during the audition).

Breathe by miss A (song danced by the group of boys during the audition).

Flower Duet by Lakme (opera song done by Hyemi & Jo Sumi).

Bingo by Turtles (song played when Hyemi locked herself inside the car).

My Valentine by Ok Taecyeon & NichKhun Horvejkul (2PM).

Don’t Leave by Kim Junsu (2PM) & Lim Jung Hee.

Can’t I Love You? by Lee Changmin & Jung Jinwoon (2AM).

I Know You’ll Be a Superstar (ending song).

Dream High - Taecyeon & Wooyoung (2PM), Suzy (miss A), Kim Soo Hyun & JOO.

'Music does not exist if you're not there' The first generation of the drama starred actors Kim Soo Hyun & Bae Yong Joon, and several idols such as Ok Taecyeon & Jang Wooyoung of 2PM, Suzy Bae of miss A, Ham Eunjung of T-ara and Lee Ji Eun (IU) to name a few.ĭream High 2, on the other hand, revolves around school rivalries involving idol characters depicted by 2AM's Jinwoon, Kang Sora, T-ara's Jiyeon, Sistar's Hyorin and trainee's JB & Park Seo Joon. It had gained lots of interest from viewers and due to its enormous success, a sequel has been produced following the same format.

#SUPER JUNIOR OPERA MUSIC VIDEO DOWNLOAD SERIES#

Implications of K-pop music's crossover with other music genres are discussed in this paper.Dream High is a Korean drama series produced by KeyEast and JYP Entertainment which revolves around the story of aspiring idols. However, the idol aesthetic scale was found to be statistically insignificant in this study. The results also showed that three scales are important elements in increasing fans' general satisfaction, with Korean culture as the most important scale, followed by the talent, and performance scales. All the sixteen statements were found to be highly reliable. A total of 207 samples were collected, and data taken from the respondents were processed with factor analysis, reliability test, descriptive statistic test, and multiple regression tests to obtain results. At the end of the survey, fans were also asked to rate their general satisfaction of K-pop music. Fans were asked to rate sixteen statements in terms of how likely each statement describes the reasons they like K-pop music. An online survey form was generated and posted on the social media. A quantitative survey was tested on K-pop music fans to find how these factors affect the fans' general satisfaction.

The original contribution of this paper is to identify a list of success factors of K-pop music and to validate the reliability of the factors identified. It also concludes that the consumers of K-pop have effectively been conditioned to expect certain behaviour from their chosen idols and agencies as they derive enjoyment from the capitalist venture of purchasing and supporting them – as the theory of cultural industry identified in the 1940s. This dissertation concludes that the K-pop industry makes no effort to hide its purely capitalist motivation, and that its success is based primarily on such business decisions. It also identifies how Lee Soo-man’s practice of “cultural technology” became the blueprint for the K-pop industry as a whole in the early 2000s, leading it to reach substantial international success by the end of the decade. These examples include several groups, but primarily the three founders of the three most successful K-pop production houses. It draws on theories of cultural commodification, the reduction of art into a product and the standardisation of popular music using selected key examples in K-pop itself. It argues that K-pop is not only a perfect fit for the Frankfurt school’s theory, but a continuation of it in a manner that was not predicted. The aim of this dissertation is to identify how the theory of cultural industry applies to the Korean pop music industry.

Super junior opera music video download